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Switzerland returns trafficked gold mask to Egypt

Switzerland has returned a 2,000-year-old gold funerary mask to Egypt believed to have been looted from Fayoum. Swiss Federal Councilor Elisabeth Baume-Schneider formally handed over the mask to Mohamed Negm, Egypt’s ambassador to Switzerland, in a ceremony in Bern. The Ptolemaic-era mask was seized by officials from the Swiss Federal Office for Customs and Border Security in mid-September 2022 when an individual attempted to transport it through a border crossing in Bardonnex on the road between France and Switzerland. The destination was an art collector in Geneva, Stéphane Barbier-Muller, who claimed he wanted the mask to decorate his home. This raised red flags for the customs agents who had serious suspicions the alleged Egyptian documents accompanying the artifact were fraudulent. Customs forwarded the mask and ostensible documentation to the Federal Office of Culture where it was subjected to a thorough scientific examination by certified archaeologists. Swiss authorities enlisted the aid of a British Museum Egyptologist who was able to confirm it is an authentic gold funerary mask dating to the 2nd century B.C., the middle of the Ptolemaic period. He believes it was taken from one of the tombs in southeastern Fayoum, looted in a clandestine excavation. Lending credence to this hypothesis is the complete absence of publication. This is an exceptional piece that would certainly have been mentioned in scientific literature. This recovered funerary mask possesses high artistic and architectural value and belongs to the category of gilded cartonnage masks, constructed from layers of linen and treated plaster, painted in multiple colors. Its exceptional state of preservation makes it a perfect example of Ptolemaic funerary art. Designed to cover and protect the deceased’s face according to ancient Egyptian beliefs, it features an idealized facial structure that highlights delicate gilded features alongside Baroque details and colorful geometric motifs. These elements reflect a fusion of Egyptian artistic traditions and classical influences, showcasing the ancient Egyptian craftsman’s skill in manipulating materials to convey solemnity and funerary symbolism. A year after the confiscation, the Public Prosecutor’s Office in Geneva opened a criminal investigations on charges of money laundering, receiving stolen property and violating laws on the transfer of cultural property. The case concluded with a final confiscation order in February 2026 after the Geneva art dealer named as the recipient of the shipment waived all claims to delivery.

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